Collection «Selected Abstract Art»
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The artwork is held in a private collection in Germany.
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This artwork was featured in "Artfuly Magazine", Sydney, Australia (N 2, October 2018; p. 12).
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«While much of Malivanis work has firm roots in Nineteenth and early Twentieth Century art, her abstract collection suggests an adventurous, curious and inquisitive side to her artistic being. Her use of shape, form and colour as a form of expression solidifies conceptual ties with Wassily Kandinsky and Gerhard Richter while her use of line is reminiscent of Kazimir Malevich and Piet Mondrian».
«Diana Malivani. Critical Analysis» by Timothy Warrington, Art Critic, 2019
(International Confederation of Art Critics. London, UK and Chianciano, Italy)
* * *
More photos of the artwork as well as the relevant documents are available upon request
(close-up views, the artists signature, in-context photos, publication copies, certificate of authenticity etc.).
* * *
The artwork is held in a private collection in Germany.
* * *
This artwork was featured in "Artfuly Magazine", Sydney, Australia (N 2, October 2018; p. 12).
* * *
«While much of Malivanis work has firm roots in Nineteenth and early Twentieth Century art, her abstract collection suggests an adventurous, curious and inquisitive side to her artistic being. Her use of shape, form and colour as a form of expression solidifies conceptual ties with Wassily Kandinsky and Gerhard Richter while her use of line is reminiscent of Kazimir Malevich and Piet Mondrian».
«Diana Malivani. Critical Analysis» by Timothy Warrington, Art Critic, 2019
(International Confederation of Art Critics. London, UK and Chianciano, Italy)
* * *
More photos of the artwork as well as the relevant documents are available upon request
(close-up views, the artists signature, in-context photos, publication copies, certificate of authenticity etc.).
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