Art Project «Seeing Music»
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The artwork is held in a private collection in the United Kingdom.
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The artworks, part of the Art Project «Seeing Music», were widely covered by international art media and featured in Art Reveal Magazine (London, UK), Artfuly Magazine (Sydney, Australia), as well as in Artist Portfolio Online and Light Space & Time Magazine (Florida, US).
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Also these artworks had deserved the Critique «Diana Malivani. «Seeing Music». Critical Analysis» by
Christopher Rosewood, Art Critic and Member of the International Confederation of Art Critics (ICAC).
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«Malivanis deep, analytical and conceptual approach perpetuates and crescendos when observing ‘The Overture, a composition that propels visual parallels with the graphic musical scores of John Cage and of the subsequent Fluxus movement. The motifs depicted across Malivanis canvas are reminiscent of the experimental symbols indicating sound, and at once the spectator can tangibly experience the invigorating crashing of cymbals through the artists expressive iteration of movement and audio. The sensorial ties between divergent elements cast cognitive comparisons with Gerard van Honthorsts striking scenes that harbour the raucous atmosphere of music and dancing».
«Diana Malivani. «Seeing Music». Critical Analysis» by Christopher Rosewood, Art Critic, 2019
(International Confederation of Art Critics. London, UK and Chianciano, Italy)
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For the Artist, music represents an inexhaustible source of inspiration. One of the most difficult goals of artists depicting music on canvas is to convey its rhythm, brilliance, and uniqueness in abstract compositions.
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More photos of the artwork as well as the relevant documents are available upon request
(close-up views, the artists signature, in-context photos, publication copies, certificate of authenticity etc.).
* * *
The artwork is held in a private collection in the United Kingdom.
* * *
The artworks, part of the Art Project «Seeing Music», were widely covered by international art media and featured in Art Reveal Magazine (London, UK), Artfuly Magazine (Sydney, Australia), as well as in Artist Portfolio Online and Light Space & Time Magazine (Florida, US).
* * *
Also these artworks had deserved the Critique «Diana Malivani. «Seeing Music». Critical Analysis» by
Christopher Rosewood, Art Critic and Member of the International Confederation of Art Critics (ICAC).
* * *
«Malivanis deep, analytical and conceptual approach perpetuates and crescendos when observing ‘The Overture, a composition that propels visual parallels with the graphic musical scores of John Cage and of the subsequent Fluxus movement. The motifs depicted across Malivanis canvas are reminiscent of the experimental symbols indicating sound, and at once the spectator can tangibly experience the invigorating crashing of cymbals through the artists expressive iteration of movement and audio. The sensorial ties between divergent elements cast cognitive comparisons with Gerard van Honthorsts striking scenes that harbour the raucous atmosphere of music and dancing».
«Diana Malivani. «Seeing Music». Critical Analysis» by Christopher Rosewood, Art Critic, 2019
(International Confederation of Art Critics. London, UK and Chianciano, Italy)
* * *
For the Artist, music represents an inexhaustible source of inspiration. One of the most difficult goals of artists depicting music on canvas is to convey its rhythm, brilliance, and uniqueness in abstract compositions.
* * *
More photos of the artwork as well as the relevant documents are available upon request
(close-up views, the artists signature, in-context photos, publication copies, certificate of authenticity etc.).