Art Project «Seeing Music»
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The artwork is held in a private collection in Italy.
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The artworks, part of the Art Project «Seeing Music», were widely covered by international art media and featured in Art Reveal Magazine (London, UK), Artfuly Magazine (Sydney, Australia), as well as in Artist Portfolio Online and Light Space & Time Magazine (Florida, US).
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Also these artworks had deserved the Critique «Diana Malivani. «Seeing Music». Critical Analysis» by
Christopher Rosewood, Art Critic and Member of the International Confederation of Art Critics (ICAC).
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«It is overwhelmingly apparent when considering Malivanis collection that she is fundamentally moved by music; her line of work entitled «Seeing Music» radiates with the vitality of life and vibrates with an intense sense of movement that has the rare ability to encompass the magical aura of complete concertos and symphonies».
«Not only does Malivani coalesce the visual and aural arts, but she also incorporates an undeniable element of performance in her works; ‘Show Must Go On fully engages the mellifluous energy of a live orchestra, while ‘Waltz of the Flowers, Triptych encompasses the graceful movement of Tchaikovskys ballet with each gesture. In this regard, Malivani effortlessly brings together the spontaneous tenor of Gino Severini and Jean Beraud, whose representations of movement and the primordial euphoria that music brings to an audience is flawlessly translated by the finesse of Malivanis emblematic style».
«Diana Malivani. «Seeing Music». Critical Analysis» by Christopher Rosewood, Art Critic, 2019
(International Confederation of Art Critics. London, UK and Chianciano, Italy)
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For the Artist, music represents an inexhaustible source of inspiration. One of the most difficult goals of artists depicting music on canvas is to convey its rhythm, brilliance, and uniqueness in abstract compositions.
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More photos of the artwork are available on request
(close-up views, the artists signature, in-context photos, publication copies, certificate of authenticity etc.).
* * *
The artwork is held in a private collection in Italy.
* * *
The artworks, part of the Art Project «Seeing Music», were widely covered by international art media and featured in Art Reveal Magazine (London, UK), Artfuly Magazine (Sydney, Australia), as well as in Artist Portfolio Online and Light Space & Time Magazine (Florida, US).
* * *
Also these artworks had deserved the Critique «Diana Malivani. «Seeing Music». Critical Analysis» by
Christopher Rosewood, Art Critic and Member of the International Confederation of Art Critics (ICAC).
* * *
«It is overwhelmingly apparent when considering Malivanis collection that she is fundamentally moved by music; her line of work entitled «Seeing Music» radiates with the vitality of life and vibrates with an intense sense of movement that has the rare ability to encompass the magical aura of complete concertos and symphonies».
«Not only does Malivani coalesce the visual and aural arts, but she also incorporates an undeniable element of performance in her works; ‘Show Must Go On fully engages the mellifluous energy of a live orchestra, while ‘Waltz of the Flowers, Triptych encompasses the graceful movement of Tchaikovskys ballet with each gesture. In this regard, Malivani effortlessly brings together the spontaneous tenor of Gino Severini and Jean Beraud, whose representations of movement and the primordial euphoria that music brings to an audience is flawlessly translated by the finesse of Malivanis emblematic style».
«Diana Malivani. «Seeing Music». Critical Analysis» by Christopher Rosewood, Art Critic, 2019
(International Confederation of Art Critics. London, UK and Chianciano, Italy)
* * *
For the Artist, music represents an inexhaustible source of inspiration. One of the most difficult goals of artists depicting music on canvas is to convey its rhythm, brilliance, and uniqueness in abstract compositions.
* * *
More photos of the artwork are available on request
(close-up views, the artists signature, in-context photos, publication copies, certificate of authenticity etc.).
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