The artist painted this life-size sketch of a hazel bush in the village of Karmanovo, Tver Oblast, in 1999, in the style of Alla Prima. He later used this sketch in his 2003 diploma painting, "The Ferapontov Monastery," incorporating the bush in the foreground into the composition with the monastery. This artwork captivates with its serene depiction of lush foliage, set against a soft, muted sky. The brushwork is masterful, capturing the intricate details of the greenery with a delicate balance of light and shadow. The dark, ornate frame adorned with swirling gold embellishments highlights the central image, drawing the viewer’s eye inward. This juxtaposition enhances the paintings tranquility while adding a touch of opulence. The subtle variations in green and blue tones reveal a commitment to realism, inviting viewers to immerse themselves in the tranquility of the scene. Each element is meticulously crafted, reflecting a keen observation of nature. This piece stands out for its seamless blend of simplicity and elegance, offering a timeless window into the beauty of the natural world.
Exhibition:
2012 “Visible Images”, personal exhibition at the exhibition hall of the Russian Auction House in Gostiny Dvor, Moscow.
2024 The exhibition "Tail-wind". Museum and exhibition complex "Academy of Watercolor and Fine Arts of Sergey Andriaka".
Publication:
Çëàòîâåðõîâíèêîâà Î.Í. Ñåì¸í Êîæèí. – Ì.: Ïðèíò ëþêñ, 2007. – 120 ñ. Page 81
Ñåì¸í Êîæèí. Çðèìûå îáðàçû: [êàòàëîã ïåðñîíàëüíîé âûñòàâêè] / Ðîññèéñêèé àóêöèîííûé äîì. – ÑÏá.: Ðåêëàìíîå àãåíòñòâî MCMG, 2012. – 32 ñ. Page 13
Exhibition:
2012 “Visible Images”, personal exhibition at the exhibition hall of the Russian Auction House in Gostiny Dvor, Moscow.
2024 The exhibition "Tail-wind". Museum and exhibition complex "Academy of Watercolor and Fine Arts of Sergey Andriaka".
Publication:
Çëàòîâåðõîâíèêîâà Î.Í. Ñåì¸í Êîæèí. – Ì.: Ïðèíò ëþêñ, 2007. – 120 ñ. Page 81
Ñåì¸í Êîæèí. Çðèìûå îáðàçû: [êàòàëîã ïåðñîíàëüíîé âûñòàâêè] / Ðîññèéñêèé àóêöèîííûé äîì. – ÑÏá.: Ðåêëàìíîå àãåíòñòâî MCMG, 2012. – 32 ñ. Page 13











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