According to the philosophical interpretation of the theme of the family, A. Semushin denies vulgar sotsiologizatorstvo in view of the family as the unit of society. For his family, rather, biologically grounded microcosm. At the same time, the artist seems to be fully accepts the thesis of Theodore Studite of "Paschal homilies" that the family through the "grace of pure consensus" is achieved spiritual freedom. In any case, "Clear consensus" is read in the fact that the characters firmly hold each other's "hands". The work is firmly warm feeling, even devoid of sentimentality. But most of all, it is notable, of course, his self-irony. This is an ironic self-portrait of a family in the world of painting in its history. As the saying goes, if you find something more ironic, we will refund you the difference. Also worth noting, as a sudden in the last five centuries has evolved nude. From the exquisite Renaissance poetics Giorgione, a noble realism of Titian, Rubens pretentious corporeal, sensual idealization flirtatious porcelain goddesses Bush to bytovizmu "naked nature" Manet and transsyurrealisticheskoy kvazibiomorfnoy irony Semushina. As part of the performance, we note that the line is clearly distinguished volumes from each other and from the background, fully performing the function of structural foundations of pictorial forms that, in general, not peculiar to the method of transsyurrealisticheskomu Simushina. 
canvas/oil 80cm x 100cm 2010 The artwork is framed Price 9776 USD
2007.05.06
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